{"id":1122,"date":"2026-07-07T10:27:38","date_gmt":"2026-07-07T10:27:38","guid":{"rendered":"https:\/\/www.laviadelafotografia.com\/?p=1122"},"modified":"2026-07-07T10:27:38","modified_gmt":"2026-07-07T10:27:38","slug":"coincidencias-fotograficas","status":"publish","type":"post","link":"https:\/\/www.laviadelafotografia.com\/index.php\/2026\/07\/07\/coincidencias-fotograficas\/","title":{"rendered":"Coincidencias fotogr\u00e1ficas"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; _builder_version=\u00bb4.16&#8243; custom_padding=\u00bb12px|||||\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbet_body_layout\u00bb custom_margin=\u00bb21px|||||\u00bb][et_pb_row _builder_version=\u00bb4.16&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_padding=\u00bb0px|||||\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbet_body_layout\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.16&#8243; custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb theme_builder_area=\u00bbet_body_layout\u00bb][et_pb_text _builder_version=\u00bb4.16&#8243; custom_margin=\u00bb-8px||62px|||\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbet_body_layout\u00bb min_height=\u00bb25.8px\u00bb]<\/p>\n<p style=\"text-align: center;\"><span>\u00a9 Manolo Laguillo. Paseo San Juan tocando a Arco del Triunfo, Barcelona, 1980<\/span><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=\u00bb4.16&#8243; background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_padding=\u00bb||0px|||\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbet_body_layout\u00bb]<\/p>\n<blockquote>\n<p>Llevamos la historia de la fotograf\u00eda en nuestra mirada.<\/p>\n<\/blockquote>\n<p>Dos fot\u00f3grafos separados en el tiempo por un siglo: Atget en Paris a finales del s. XIX y Laguillo en Barcelona a finales del s. XX. Los dos se sienten atraidos por la imagen de un conjunto de edificios que, en pocos a\u00f1os, desaparecer\u00e1n. Los dos llevan consigo todas sus influencias culturales; Atget lleva m\u00e1s all\u00e1 la mirada pict\u00f3rica que hab\u00eda heredado y Laguillo recoge esa herencia y la actualiza. Representan dos momentos diferentes de la historia visual que tienen un encuentro a pesar de la separaci\u00f3n en el tiempo. No sabemos si Atget se adelant\u00f3 un siglo o Laguillo hizo un viaje al pasado. Creo m\u00e1s bien que se encontraron en un lugar intemporal al que podemos llamar presente eterno.<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.16&#8243; custom_margin=\u00bb-24px|auto||auto||\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbet_body_layout\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbet_body_layout\u00bb][et_pb_image src=\u00bbhttps:\/\/www.laviadelafotografia.com\/wp-content\/uploads\/2026\/07\/Place_Saint_Andr_des_Arts_6_arr._._Antes_de_la_demolici_n_del_10_de_julio_de_1898._EUGENE_ATGET.jpg\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.16&#8243; custom_margin=\u00bb-28px||23px|||\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbet_body_layout\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbet_body_layout\u00bb]<\/p>\n<p style=\"text-align: center;\">Eugene Atget. Place Saint Andr des Arts 6. Antes de la demolici\u00f3n del 10 de Julio de 1898<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a9 Manolo Laguillo. Paseo San Juan tocando a Arco del Triunfo, Barcelona, 1980 Llevamos la historia de la fotograf\u00eda en nuestra mirada. Dos fot\u00f3grafos separados en el tiempo por un siglo: Atget en Paris a finales del s. XIX y Laguillo en Barcelona a finales del s. XX. Los dos se sienten atraidos por la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1061,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[9],"tags":[],"class_list":["post-1122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog-de-fotografia"],"_links":{"self":[{"href":"https:\/\/www.laviadelafotografia.com\/index.php\/wp-json\/wp\/v2\/posts\/1122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.laviadelafotografia.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.laviadelafotografia.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.laviadelafotografia.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.laviadelafotografia.com\/index.php\/wp-json\/wp\/v2\/comments?post=1122"}],"version-history":[{"count":2,"href":"https:\/\/www.laviadelafotografia.com\/index.php\/wp-json\/wp\/v2\/posts\/1122\/revisions"}],"predecessor-version":[{"id":1125,"href":"https:\/\/www.laviadelafotografia.com\/index.php\/wp-json\/wp\/v2\/posts\/1122\/revisions\/1125"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.laviadelafotografia.com\/index.php\/wp-json\/wp\/v2\/media\/1061"}],"wp:attachment":[{"href":"https:\/\/www.laviadelafotografia.com\/index.php\/wp-json\/wp\/v2\/media?parent=1122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.laviadelafotografia.com\/index.php\/wp-json\/wp\/v2\/categories?post=1122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.laviadelafotografia.com\/index.php\/wp-json\/wp\/v2\/tags?post=1122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}